I’m going to keep this brief, because so much of what will eventually come from our coverage on The Last Jedi won’t be. But to just quickly give an introduction to what you will (at the very least) start reading — last night I got the chance to see Star Wars: The Last Jedi. It was one of my most anticipated entertainment milestones of 2017, and I went into the movie with extreme excitement for what I was going to watch. I was a big fan of The Force Awakens, and couldn’t wait to see what would become of the characters I so quickly fell in love with, and the story that, while far from perfect, had me very much interested in the future of this saga.
Some two-and-a-half-hours later, I walked out of the theater just feeling sad — I was not a fan of Star Wars: The Last Jedi. And, if we’re being completely honest here, that kind of broke my heart. Hoping to work out why my reaction to the film was so negative, I turned to the internet, and fellow Freshly Popped Culture contributor Jared Russo. Jared and I are both big Star Wars fans and, as I quickly realized through our conversation, he too had his fair share of problems with the movie. So we did the only thing we could do: we talked it the fuck out.
Below is a chat between Jared and I, built off of a Twitter DM feed we bounced around in for about a dozen hours. The opinions we shared were still very much raw and fresh (we both had only seen the film mere hours before), and more refined thoughts will hopefully hit the website in the coming days. But, for now, here’s our initial reaction to Star Wars: The Last Jedi. Beware, this is a COMPLETELY SPOILER FILLED conversation, so really don’t read it until after you see the film. Also, all tweets and links embedded in the article were also inserted into the chat itself, just for clarity’s sake. In any case, enjoy. Or, at the very least, bask in our bafflement that was so much of The Last Jedi.
Trust me, there is no part of myself that enjoys typing this sentence. I am truly, truly disappointed.
I did not like #StarWarsTheLastJedi. And as someone who loved The Force Awakens and the promise of this new universe, I feel borderline insulted.
— Matthew Legarreta (@mattlegarreta) December 15, 2017
Jared: I’m more positive, but I’m also conflicted. Like Kylo Ren.
Matthew: Was Kylo Ren conflicted? I couldn’t tell the 50 times it was told to me. I still enjoyed a good amount of the movie, but the things I didn’t enjoy I REALLY didn’t enjoy. But we’ve gone over my weird distaste for Rian Johnson, so maybe this was inevitable. I really hoped this would be the one to turn it around though…
Jared: I think this is the worst thing he’s done, but you’re nuts for not liking his other work.
Matthew: I liked (though didn’t love) Brick! And “Ozymandias” is perfection, I’ll give him that. But The Brothers Bloom and Looper left me super cold, with Looper especially reminding me so much of this one (in that it had so much potential, but squanders it the more it goes along.) Ultimately, did you like this one than The Force Awakens? Or are you still trying to think through it? Both film’s had lots of issues, but I don’t think there was anything nearly as disappointing in The Force Awaken than in The Last Jedi.
Jared: I have to see The Last Jedi again to tell you, it’s tone and structure is so weird that it left me more conflicted than anything.
Matthew: Being someone who just ranted with friends for four hours about all the disappointing things that happened in it, my choice is pretty clear. But there is a lot to parse through, that’s true.
Jared: Wait, you have friends? ZING.
Matthew: Ouch, you got me there.
Jared: I will say this: I am still confounded by it and, definitely need to see it again, I can’t get the movie out of my head, which are words I never thought I would say about a Star Wars movie, to be fair.
Matthew: I’ll agree with that. I’ve been thinking and writing and talking about it for hours.
Jared: The movie ends up just feeling like a big fever dream, really.
Matthew: It’s just so…much. And the fact that both film’s take place in, like, two weeks MAX is nuts. It’s weird they don’t give any time for the action of this movie to breath. It leaves you overwhelmed, in ways both good and bad.
Jared: Maybe on the second viewing I’ll have a better grip on it and get over some stuff I was wondering about. Like how did everyone find out her parents were nobodies? How would Kylo Ren possibly know that information.
Matthew: …The Force?
Jared: This movie kind of broke every rule of the Force, and just made up all sorts of things about it which often just made my theater laugh.
Matthew: Although that was one decision I loved! If you read through my previous article, you would know I was rooting for that. Makes her character arc better, even if other things in this film made it worse in certain ways or, at the very least, didn’t give it the time of day it deserved. And speaking of things that made people laugh…OMG, THE FLOATING LEIA SCENE.
Jared: Yeah, that and everyone kept yelling “KISS!” at the Kylo and Rey scenes.
Matthew: Boy, the sexualization that people feel for those two is..something. The internet especially is adding a weird romantic current to this movie that I for one just want to roll my eyes at. Anywho, my theater mostly just clapped. AT EVERYTHING.
Jared: Mine too.
Matthew: But then they clapped at Luke revealing himself as a Force Projection (a little bit silly development, I might add), and immediately let out frustrated groans when he died 30 seconds later. I laughed so hard.
And speaking of kissing from earlier, that last Rose/Finn scene sucked, right? So much unearned with that character/relationship.
Jared: Everything that Rose said before she died was hokey, and simply did not work.
The more I read about this movie, the more I dislike it, and I hate both myself and the internet for making me feel that way.
Matthew: That was me just thinking about it, really. And I am STUNNED at people calling it the best one, or whatever. For whatever it does right, it’s such a flawed movie, even just fundamentally. Ton of things that just don’t add up, or for whatever reason just doesn’t work.
Jared: Regardless, nothing touches those first two and nothing ever will. Return of the Jedi is the third best — don’t @ me.
Matthew: Revenge of the Sith is the third best. And DO @ me, cause I’ll defend that film and it’s stuffy ass self any day.
Jared: You’re insane.
Matthew: Also, working on a list about film’s problems. this what I got so far:
- The Finn Rose Romance Is Awful
- What was even the point of their story
- Everyone fails, which gets kind of annoying
- Snoke Meant Nothing, So Cool I Guess
- Poe’s plot fizzles
- Leia force flight, yuck
- Luke’s death is unnecessary
- Phasma death is a goddamn waste
- Benicio del Toro is useless
- That casino scene entirely is useless
- Yoda scene is weird
- It rushed as fuck, with the entire film being like two days max
- The backstory still makes no sense, and no effort is made to illuminate ANYTHING at all about The Force Order, Knights of Ren, etc.
- Snoke powers are hella inconsistent
Anything else you think I missed?
Jared: I don’t know, I don’t think Luke’s death wasn’t unnecessary, and BB-8 got shit done.
Matthew: BB8 was, no joke, the highlight of the film for me. He was great the whole way through.
Jared: Yeah, so he wasn’t a failure at least.
Matthew: Obvious hyperbole on notes I’ve merely jotted down. And, if you want to be technical, he was on the Finn/Rose mission, which failed horribly. But he definitely was the only one trying his best there!
Jared: He is really on pace to out-do R2 at this point, which is nuts to me. Also, more Poe, please. Everyone, just make him the leader of the rebels.
Matthew: To be fair, R2 has been given shit to do in these last two movies. His scene with Luke in this one was a high point, though. That “Binary Sunset/The Hologram” just works, man.
Jared: What was Luke’s third lesson? We only get to see two of them. Why was that a thing that dropped off? His second lesson was basically one big long rant anyways.
Matthew: I really wish they did more with Luke and Rey. It also sucks that Luke dies without ever reconciling with her. Their last scene they share is their big fight.
Jared: They could have done more with Rey in general, like I thought she would be trained to lift his x-wing out of the water ala Empire Strikes Back, but she just goes and lifts the rocks with no problem at all. There was no struggle in her training with the force. And Kylo Ren killed both Han fucking Solo and his master, like I have a lot of problems with him as a character…but Jesus, Adam Driver is the best actor in all these movies so far.
Matthew: They are all really good actors, and deserved more here IMHO. Mark Hamill especially really brought it big time.
Jared: A lot of the humor was very modern internet jokey stuff that like doesn’t fit with the other movies too, which bothered me.
Matthew: I was okay with the humor. I thought the first scene with Poe and Hux was really funny, and fit Poe’s character to that point.
Jared: And as much as Rian Johnson pushed his direction forward for the franchise, it’s lack of traditional feeling makes the whole thing so off for me, like I’m still wrapping my head around his blending of styles. I really need a second viewing.
Matthew: Yeah, I’ll be seeing it again, even if I disliked it the first time. But my problem is not only that it is a weird Star Wars movie, but it also is just a really shitty sequel to The Force Awakens. To people who didn’t like that movie, I’m sure that’s a pro. But everything Johnson did seemed to be spitting in the Face of what Abrams was setting up. Part of me wonders if Abrams agreed to come back NOT because Johnson made him excited about the trilogy, but because he was hoping to right the ship again on the story he set up. Then again, I feel like Abrams maybe didn’t have plans for the overarching story to begin with, which might speak more to the failures of the trilogy itself rather than just The Last Jedi.
Jared: I read in interviews J.J was so jealous of his script and was like “Damn, I gotta get back in there.” But listening to the score alone, this movie is aces compared to Force Awakens. John Williams, please be immortal for all of us.
Stunned by audience scores of STAR WARS: THE LAST JEDI on Rotten Tomatoes (only 57% fresh) & Metacritic (5.3/10). I was disappointed, but liked the movie overall. The fans, on the other hand, are divided, and those who don't like it HATE it.
— Peter Debruge (@AskDebruge) December 15, 2017
This is the best summation of things so far, I think.
Matthew: On a completely nitpicky level, where the fuck did The First Order get the AT-AT’s they were using on the salt planet? Their fleet was decimated, and their main ship destroyed. Where did all the additional firepower come from? The vagueness surrounding everything to do with The First Order and the Knights of Ren was tough in TFA, but this was Johnson’s chance to provide some actual context for the group. instead, just left me even more confused about how powerful they are. The vagueness surrounding everything to do with The First Order and the Knights of Ren was tough in The Force Awakens, but this was Johnson’s chance to provide some actual context for the group. Instead, just left me even more confused about how powerful they are. It’s two movies in, and I still don’t know WTF even are The Knights of Ren. Are there others out there? Is it just Kylo now? What about the other lightsaber dude’s we saw with Kylo during the flashback in TFA? UGH, TOO MANY QUESTIONS FOR A TRILOGY WRAPPING UP IN ONE MORE INSTALLMENT.
Jared: I think I might be over Star Wars for a while. This should have been a home run for us, and it wasn’t and now I’m disappointed and underwhelmed by this entire thing. Things like Luke’s whole shoulder brush thing? It was just too much for me, man. You know what?
You should re-type this whole thing up and post it on the website.
Matthew: I’m using a lot of this to work out my thoughts for a bigger article. It’s been helpful — if there’s anything you can say about The Last Jedi, it’s that it lefts a lot to be talked about.
Jared: Just post this entire conversation cleaned up. #content.
Matthew: I might, I’ll go and think about it. Maybe post it as two Star Wars fans making the horrible realization they were disappointed by a movie they really expected to love?
Jared: Do it.
Matthew: And I will.
And I did. Stay tuned for more of our thoughts on The Last Jedi in the days ahead. Like I said, there is a lot to break down here, and this was very much just the start of it.
Also published on Medium.
The Captain Marvel Teaser Trailer Is Here, And…It’s The First Trailer for A New Marvel Movie, All Right
Not that there’s anything wrong with that.
The release of the Captain Marvel teaser trailer has been pretty hotly anticipated, arguably more so than many of the other Marvel movie trailers that have come before it. The primary reason for the excitement is of course due to the conclusion of Avengers: Infinity War, which I’m going to spoil because come on now, you’re reading this article, I know where your interests lie. Suffice to say, the downer ending of Inifinty War, in which seemingly all of Marvel’s newest characters up and fade away into nothing, has fans buzzing to see what is coming next. And with the trailer for Avengers 4: Titles Are Dumb still many months away, Captain Marvel represents our best shot yet at seeing just what Marvel intends to do with this universe going forward, and how the titular character will ultimately factor into it.
But even removing the snap from the equation, there’s plenty of reason to be eager about Captain Marvel on its own merits. This has been one of those MCU movies that was seemingly announced forever ago, and to paraphrase Marvel’s other big female superhero with her name in the title, it’s about damn time we actually get to see Marvel Studio’s first female-fronted superhero project. It might come as a shock to no one that the trailer shows the answer to that being, well…a Marvel superhero movie. Whether or not that excites you largely depends on your attachment to the brand overall.
Myself? I’m already in the bag for this cinematic universe so, really, this trailer could have been two minutes of Kevin Feige jet-skiing on his bag of money while smoking a very well put together Dollar Bill Blunt™, and I still would have had the movie on my list of most anticipated films of 2019. And with the MCU on a hot streak of, like, ten good-to-great movies in row, I would feel no regrets at all about doing so. As I have written many times in the past, Marvel Studios has earned my trust, in pretty much everything they do.
But to dive into the nitty-gritty of the trailer itself? It’s perfectly fine. It follows the modern blockbuster teaser trailer to a T, with the loud symphonic music playing over a bunch of vague money shots of CGI and action moments, paired with an equally vague but well-delivered monologue about, well, anything really. The fact that said monologue is coming out of the mouth of Samuel L. Jackson’s Nick Fury (as they so often do in the MCU) is extra points, though. Paired on top of that is the fact that said Nick Fury is looking all young and two-eyed, with disturbingly little uncanny effect to speak of in digitally recreating a mid-90’s Samuel L. Jackson. Which I’m aware is ironic, considering that the Uncanny Effect in and of itself speaks to the idea of something being so photo-realistic that the human mind, in turn, perceives it as unnatural. This is so photo-realistic and natural in the moment that, only upon true reflection, do I get really creeped out. Call it the Uncanny Uncanny Valley Effect Effect.
Oh right, the Captain Marvel trailer! So yeah, it’s one of those things where the most noteworthy aspect of the trailer lies in how unnoteworthy it is. Really it’s hard for me to gauge what exactly this movie will be, with the two-minute teaser doing little to fill in the tone or mood of the piece outside of “new superhero movie.” There’s some weird stuff going on timeline wise which, in the movie, might be really cool and unique. In the trailer, however, it’s kind of so jumbled up in editing that I’m not entirely sure what’s going down (so Carol Danvers has amnesia, or…?) Even more disappointing is the lack of a real “trailer moment,” something big and memorable ala Thor’s reaction to Hulk’s arrival in the Thor: Ragnarok tease, or Black Panther’s car flip, or even the lie that was the Avengers running together in the Infinity War trailer. The closest this trailer comes to a noteworthy shot is Carol Danvers sucker punching an old lady which, really, is only memorable for the “WTFness?” alone. I did like the brief image of Captain Marvel running up the side of the train, though, and some of the rotation shots at least point to an interesting style that directors Ryan Fleck and Anna Boden could be employing. That’s really the only hint of a unique approach or style in this trailer, though.
Lack of style isn’t exaclty bad, really, but not exactly fodder for overwhelming excitement either. Compared to something like Guardians of the Galaxy’s first trailer (where the “Hooked on a Feeling” scored edit made clear just exactly what kind of film we were dealing with) or Avengers: Age of Ultron’s first trailer (which wowed through pure mood and imagery alone), Captain Marvel falls short. Not bad, just short.
All that being said, it’s not like being merely “good” puts Captain Marvel significantly behind the first looks of other MCU films. In fact, I would say the majority of first trailers for Marvel Studios films have only been good, with only a few really strong ones being truly excellent in my mind. And with all but a handful of those films being great at the end of the day, I have no doubt Captain Marvel has the goods to keep Marvel’s winning streak going. We’ll find out when the film hits theaters March 8, 2019.
Also published on Medium.
James Gunn Fired From Guardians of the Galaxy Vol. 3 Over Offensive Tweets…And Fuck If I Know How To Feel About It
Is it the right thing? Is it the wrong thing? Does it even matter? Who the fuck knows.
Ever since Weinstein (or longer, really, with the Film Twitter outing of people like Devin Faraci and Harry Knowles feeling like the true kick-off in my mind,) I’ve become accustomed to seeing people I admire be suddenly and without much warning outed as bad people, and dropped like a hot potato from Hollywood at large. For a while there, it almost became something of a daily ritual: wake up, take a shit, find out someone I love is shit, put out a shitty response on a shitty certain network (you know the one), and continue with my day. It might hurt for a while, but ultimately I’ve viewed this entire #MeToo thing as a necessary pain for both the industry and our culture: bad people being outed and shamed for doing bad things, from Louis C.K. to Roseanne, was a necessary step in the betterment of our society. Even if things debatably went “too far,” (which I would argue was rarer than the alternative), I was pretty resolute in my opinion that everything going on was “right.”
I still feel this way, in regards to #MeToo. But today’s piece of Hollywood shaming is not about #MeToo, at least not directly. This isn’t an example of a person mentally or physically abusing someone, and getting away with it for years. Nor is it an example of a person saying something offensive or reprehensible, and facing swift punishment for it. No, James Gunn getting fired from Guardians of the Galaxy Vol. 3 comes in the form of tweets….really bad tweets…from over a decade ago.
The background, just in case you need it: James Gunn has been the writer/director of the Guardians of the Galaxy franchise thus far, a task he has handled with aplomb. They are critical hits, audience hits, and box office hits. And perhaps more than any other current MCU series (give or take a Thor: Ragnarok), Gunn’s unique voice is clear throughout both films, in the musical choices (all his) to the jokes and gags (mostly his.) He puts one hell of a unique stamp on the MCU, and even if the Guardians movies aren’t my absolute favorite of the franchise overall (hint: you can see where they both rank here), they are dependably great in large part because of him. So regardless of the reasons for his firing, this would be a damn shame, and a massive blow to the future of the MCU post Avengers 4.
But the circumstances of his firing turn things into, frankly, a clusterfuck of political and ethical and moral quandaries that I’m far figuring out my exact position on. I will make one thing completely clear though: the tweets in question that lead to Gunn’s firing are UNACCEPTABLE. They are in incredibly poor taste, stink of someone trying way too hard to be “edgy” (one of my least favorite character traits in a person, really), and are not even the slightest bit funny. Even just putting the morality of the tweets aside, everything about the ethos behind the tweets represents someone I would never want to encounter, nor want to support. Not just because the subject matter is bad, but because the sentiment behind it (SHOCKING and IN YOUR FACE and NOT AFRAID TO GO THERE humor) is so unbearable.
All that being said…this is a lot more complicated than simply being about bad tweets. The timetable for one is important, as pretty much all the tweets are from nearly a decade ago, and Gunn hasn’t exhibited the same penchant for that type of “humor” in the years since joining Disney and Marvel. Gunn also seems to be expressing remorse about the jokes, lauching a Twitter thread owning the horrid nature of the jokes, while still trying to explain how he has moved forward as a person and changed in the years since making them:
2. It’s not to say I’m better, but I am very, very different than I was a few years ago; today I try to root my work in love and connection and less in anger. My days saying something just because it’s shocking and trying to get a reaction are over.
— James Gunn (@JamesGunn) July 20, 2018
4. For the record, when I made these shocking jokes, I wasn’t living them out. I know this is a weird statement to make, and seems obvious, but, still, here I am, saying it.
— James Gunn (@JamesGunn) July 20, 2018
5. Anyway, that’s the completely honest truth: I used to make a lot of offensive jokes. I don’t anymore. I don’t blame my past self for this, but I like myself more and feel like a more full human being and creator today. Love you to you all.
— James Gunn (@JamesGunn) July 20, 2018
He was equally as remorseful in a written statement he released following Disney’s official decision to cut ties with him:
My words of nearly a decade ago were, at the time, totally failed and unfortunate efforts to be provocative. I have regretted them for many years since — not just because they were stupid, not at all funny, wildly insensitive, and certainly not provocative like I had hoped, but also because they don’t reflect the person I am today or have been for some time.”
“Regardless of how much time has passed, I understand and accept the business decisions taken today. Even these many years later, I take full responsibility for the way I conducted myself then. All I can do now, beyond offering my sincere and heartfelt regret, is to be the best human being I can be: accepting, understanding, committed to equality, and far more thoughtful about my public statements and my obligations to our public discourse. To everyone inside my industry and beyond, I again offer my deepest apologies. Love to all.”
So yeah: the tweets were bad then, are bad now, and everybody involved is aware of this. But is Gunn’s stupid jokes from a decade ago enough to take everything away from him? Furthermore, the tweets were a matter of pubic record for years: did Disney really not search Gunn’s history to see examples of his past public behavior? Did Gunn really not consider, in his years of reflection, that these tweets were terrible and should be purged before they got him in trouble? Apparently not, although I’m sure both parties will consider that a high priority moving forward. We’ve seen people get in trouble for bad tweets, even ones that were many years old (I remember Trevor Noah’s sexist “controversy,” do you?), but this is the first time I can remember that a studio actually had to respond to it in such a strong manner. Like with Roseanne before him, Disney has shown they are willing to cut ties with people they deem to be even a little bit controversial…for better or worse, really.
Of course, I can’t ignore the political angle of this, which adds just another shit nugget to the entirety of the proceedings. The main reason these tweets came to light in the first place was due to a concentrated effort of right-wing trolls (led by human diarrhea bag Mike Cernovich) to basically knock Gunn down a peg, and show that the outspoken director was guilty of his own bad behavior in the past. I want to make it clear: nothing that Cernovich or his ilk do, in my mind, is “right.” But the unfortunate, ugly truth of the matter is that this outcry had the desired effect — Gunn lost his job, and has been Publically Shamed on the Internet™. This counts as a gross win for them, but should we just pretend this is better than it is, because it benefits a bunch of people who are awful?
While there’s certainly a part of me that wants to rally against the forces that conspired to take down Gunn, it’s a lot harder to do that when actually looking at some of the tweets that he made. Would it not be hypocritical of me to cheer on the collapse of Roseanne Barr, while at the same time trying to defend Gunn and his actions? One of my least favorite things in the whole goddamn world is hypocrisy, and there’s plenty of that all-over today. Case in point: the alt-right cheering on the public shaming of an “enemy” over the “jokes” he made, when the same fuckers probably would be bemoaning about policial correctness and “social justice warriors” if it was someone they viewed to be on their side. Equally as hypocritical is some of the response I’ve seen from more left-leaning people: now they are the ones using the tactics of “it was a long time ago!” and “they were just jokes!” and a myriad of other ways of rationalizing Gunn’s behavior. That shit hasn’t excused past people celebrities who were Publically Shamed on the Internet™, and I don’t think it’s right to give Gunn the benefit of the doubt just because we like him.
On the same token…they were tweets. From a decade ago. And I’m not comfortably completely crucifying the man over them. But if it was someone I disliked…would I be? Would we all be? This matter is complicated as hell, and I’m not sure who is right or wrong here, or even if there is a true right or wrong. This kind of situation requires more nuance than I, or probably anyone sounding off on Twitter and the rest of the internet, can probably muster. All I know is that Guardians of the Galaxy Vol. 3 is going to suffer big time for this, and that Marvel is going to have to work hard on restoring the damage to the brand. I return to the business and fanboy matters because, honestly, that’s all I can rationalize without feeling like I am wrong in some way. Because when it comes to the mortality and ethics of what happened here today, I’ll reiterate:
Fuck if I know.
Also published on Medium.
10 Other Members of The Americans Cast Who Should Be Put In A Star War (And The Roles That They Could Play)
Keri Russell should just be the start of alum from FX’s hit spy drama joining the Star Wars universe.
The talk of the fanboy town this weekend was Keri Russell, a frequent J.J. Abrams cohort, joining the cast of Star Wars: Episode IX (or whatever it might end up being titled.) The think pieces came fast and furious from nearly the moment the casting was first announced, which shouldn’t be too much of a surprise: when any new detail drops about one of these Star Wars films, people will inevitably spend way too much time theorizing about what is to come, for better or (mostly) worse. But when it comes to my initial reaction to the casting, I only had two thoughts: 1) oh my god what is J.J. Abrams going to do to Keri Russell’s hair this time and 2) it’s so damn great to see The Americans cast get work.
Coming off of five years of being perhaps the best dramatic ensemble on television, I truly would be happy to see all of the cast members of The Americans land roles in huge films following the conclusion of the show. And not just huge films, mind you — I’m talking Star Wars huge films. Truly The Americans cast is versatile enough to land any role they could want in the galaxy far, far away, and with Russell’s casting, all I could think about (aside from how amazing she’s going to end up being in the movie, of course) was what her fellow cast members could also bring to the extended franchise.
And I’m a silly person who happens to have a blog so, sorry, you have to be present for my ramblings on such niche, unasked subjects! So here are 10 other members of The Americans cast who deserve a shot at a Star Wars gig and, for the hell of it, the character archetypes they would be great for in the universe. Thank me later, Kathleen Kennedy!
Matthew Rhys (Philip Jennings):
I’ll let my first post-Keri Russell casting tweet speak for itself here:
Since we've gotten this far, can we go the whole nine yards and have Matthew Rhys cast as a roguish "Han Solo" type in one of these? Welsh accent included, of course.
— Matthew Legarreta (@mattlegarreta) July 6, 2018
Holly Taylor (Paige Jennings):
Rey’s previously unmentioned bestie/roommate back home on Jakku. They stay up all night chowing down on dehydrated bread and talking about desert problems, as you do.
Noah Emmerich (Stan Beeman):
Maybe it’s recency bias, but I can’t help but imagine Emmerich playing a tough bounty hunter character. That being said, it will be pretty tragic when he realizes his co-pilot and best friend was his target the whole time. What a dramatic scene they will end up having in the Star Wars equivalent of a parking garage, though.
Brandon J. Dirden (Dennis Aderholt):
Brandon J. Dirden holds himself up with such calm and levelheaded prestige as an actor…making him a perfect choice to play a hapless senator trying to do the right thing, but missing the fact that OOPS an electric wizard is in control now. Bummer!
Costa Ronin (Oleg Burov):
I can definitely see Costa Ronin playing the cool, confident gangster type. He’ll also have a robot arm, for some reason. And he should keep his Season 6 beard, because DAMN does he rock the hell out of it.
Alison Wright (Martha):
Padme in a set of prequel remakes. Because if anyone could sell the anguish of being betrayed by someone they deeply loved for years, only for them to end up being a completely different person than who they thought they were, it would be her. Poor Martha…
Margo Martindale (Claudia):
It’s Character Actress Margot Martindale! Let her be whatever she wants! A Jedi master, a Sith Lord, a crime boss, a droid, a wookie, a gungan — she can do it all, dang it!
Frank Langella (Gabriel):
Let him be the kindest Jedi master ever. OR the most evil Sith Lord to ever exist. Frank Langella is somehow capable of channeling both.
Mail Robot (Mail Robot):
The new official droid mascot of Star Wars, duh! NEXT.
Keidrich Sellati (Henry Jennings):
…He can also be present.
Also published on Medium.
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