It has been 10 days since the release of Justice League. I write that because, in my mind, it feels like twenty. And, sure, part of that is due to the way in which time seems to drudge forward endlessly into a river of constant, bleak despair in the year 2017, but the other part is due to the overall effect Justice League had on moviegoers…or, more accurately, lack of effect.
Because, though Justice League marks a big step in the DC Cinematic Universe, it has failed to capture the zeitgeist in the same way the films that came before it have. Say what you will about the quality of Suicide Squad, Wonder Woman, or Batman v. Superman, but they are bonefide blockbuster hits (barely so with BvS, but still.) Justice League’s blockbuster status, though, is a lot more questionable. Opening at $96 million might SEEM okay on the surface, but diving deeper, It’s actually a shockingly low number for the superhero team-up. It’s the lowest opening yet for any of the DC universe films, which in and of itself is a big problem. But combined with the massive production budget (some reports claim the cost could come to over $300 million, and that’s before marketing), and that number looks far less enticing.
And though Thanksgiving weekend MIGHT have been the opportunity for the film to break out in a bigger way, the past five days very much showed that not to be the case. Grossing just $59.6 over the time frame, Justice League failed to even place second in its opening weekend, losing to Disney/Pixar’s Coco in its debut weekend. Combined with a second weekend drop of 57% and things are not looking great for Justice League. At this time, the losses could add up to over $100 million.
So, as I have done in the past when a box office bomb is unleashed upon us, the question must be asked: how did this happen? Well, Mr. Warner Bros: we gave you all the clues. You should have seen this failure coming. Here are 5 of the main five reasons Justice League bombed at the box office.
5. It ran right up against Thor: Ragnarok
Why Hollywood studios continue to do this is baffling to me, but it’s hard to deny that Justice League’s to close-for-comfort release date to Thor: Ragnarok did not help the film at all. On the one hand, I can see Warner’s confidence in placing Justice League so close to Ragnarok — looking at the other two Thor movies, Warner probably didn’t sense much of a threat. What they didn’t know at the time was that the film would prove to be A) a critical and commercial success that dwarfed its two predecessors entirely and B) something of a team-up film involving two Avengers and a fan favorite villain. It was also an effects-heavy fantasy action pic, which…yeah, is also Justice League. The film’s just both seemed too similar to orbit the same release window and, though comic fans conceivably chose to see both, general audiences? For a good portion of them, they chose the old reliable Marvel movie.
4. It didn’t feel like an “event” at the same level of The Avengers
This is where the strange building blocks of the DC Cinematic Universe really comes into play. Unlike Marvel (yes, you are going to hear this comparison a lot through this article, deal with it), DC built up its universe and the characters within it in a rather, shall we say bold way. Well Man of Steel and Wonder Woman were traditional, rather standalone origin stories, Batman v. Superman: Dawn of Justice was something…different. Initially it was aimed as a Man of Steel sequel, but ultimately morphed into a Justice League prequel of sorts, featuring the Big Three (Superman, Batman, and Wonder Woman) in substantial roles, and awkward appearances from the other League members as well.
So, going into Justice League, we’d already seen half of its members team up to fight evil together. This wasn’t an unprecedented event, even within the universe of DC. And though the Big Three combined alongside the likes of The Flash, Aquaman, and Cyborg…we had yet to be introduced to The Flash, Aquaman, and Cyborg. There was no anticipation to see them fight alongside the heroes we already knew, at least not for the non-comic book fans in the audience.
And the fact that Superman is bizarrely absence from the majority of the actual film didn’t help either. A residual effect from the decision to leave him dead at the end of Batman v. Superman, killing off Superman before certainly didn’t help Justice League feel like a grander team-up film. It left him out of a huge majority of the marketing, with all the big team posters and group photos not featuring the Man of Steel at all. This was a rather boneheaded decision from the marketing department, because it wasn’t exactly like Superman’s involvement in the team and (eventual) return to it would be some big shock. But by trying to ignore the Big Blue Boy Scout in the room, Justice League felt like even less of a monumental “coming together” than it even did initially.
3. The Justice League marketing was flat all around
Leaving out Superman wasn’t the only problem with Justice League’s marketing, however. Really, the film’s ad campaign was all over the place. It was of course focused heavily on the idea of the superheroes all teaming up to fight bad guys…except we never really found out who that bad guy was, or what he was even after. Like the vague trailers for Blade Runner 2049 and Ghost in the Shell before it, the trailers for Justice League showed us pretty much nothing of the story. And well that might be fine for the spoiler-phobes that are averse to plot-heavy trailers (such as me), to general audiences, it doesn’t give them much to lean on as far as what drives the film.
These vague trailers are becoming a weird trend for the big blockbusters, and I honestly don’t think they help most movies. Well stuff like Star Wars: The Last Jedi can bank on mystery and general atmosphere to sell itself…some films need a little more help. It doesn’t help that none of the visuals in the Justice League trailer stood out very much (and looked actively bad in places), nor did the trailer present any big “moment” that would put asses in seats. Bringing up The Avengers yet again, there was no instantly iconic moment in the Justice League trailers that was nearly to the level of the spin around group shot, or even Iron Man being pursued by the giant alien monster (“bringing the party to you, etc.). When the coolest visual is Aquaman (a character audiences once again had no particular affection for) riding on top of the Batmobile, you might just have a problem. Hell, even Batman v. Superman: Dawn of Justice had a cooler, more iconic ad campaign than Justice League. Love it or hate it, the teaser trailer for the movie INSTANTLY captures your attention, in a way Justice League never really could.
2. Mixed reviews certainly didn’t help
The film world is torn between the idea that critical reception no longer manners, and that Rotten Tomatoes is the most important thing in the world. Obviously both are pretty contradictory opinions (Rotten Tomatoes is build up off of critic reviews after all), and pretty hyperbolic too. But, if you ask me, reception IS important. Even if “reviews” aren’t the most important thing in the world anymore, social media dictates that the reactions to a movie are generally echoed to millions, and impact a film’s opening substantially. And the reactions to Justice League were, decidedly, mixed.
Not as bad as Batman v. Superman, for sure — there were actually a few positive reactions in the mix, in comparison to what seemed like a deluge of hatred for BvS. But it still wasn’t very good at all, with a Rotten Tomatoes score of 41% only being a positive when you compare it to the terrible scores for BvS and Suicide Squad. And well something like Thor: Ragnarok and DC’s own Wonder Women was able to ride good buzz to a strong opening, Justice League was not. Making a movie that is received well, in this day and age, IS important. When even Transformers feels the brunt of critical response, you know that social media reaction is a huge deal. Just making a movie that people seem to like can make up dozens of millions of dollars. And if you haven’t seemed to do that, expect a lower opening from the get go.
1. WB scorched the earth when it came to building up the DC Universe
This is the most obvious, most direct, and most important factor that led to Justice League underperforming — the quality of the previous film’s turned people away. Batman v. Superman was so widely disliked that “pessimistic hesitation” became the default mode for people when it came to this follow-up. Zack Snyder and Warner Bros. just poisoned the well big time here and, though that didn’t matter as much in the franchise films of the past, when you are playing the cinematic universe game, quality MATTERS.
In a way, the response to this whole DC Cinematic Universe is the exact opposite that Marvel has built up to — when general audiences see the Marvel logo, they expect a super fun, quality time. And for that reason, the Marvel films have soared at a consistently high pace. Hell, the third Thor movie made more money in its first few weekends in release than Justice League has, and that’s not because the character of Thor is more popular than Batman, Superman, and Wonder Woman. It’s because Marvel as a brand has installed trust in its audience. The DC movies have, for the most part, inspired bitterness.
And, yes, I get it — there are fans of the DC Movies out there, and by no means is the franchise universally hated. If that was the case, then Justice League would have opened to FAR LESS than $96 million. But with the kind of money Warner Bros is spending, and the impact they clearly wanted this film to have, they have to make movies that are universally beloved. And it’s not like they can’t do that — Wonder Woman is very well liked by audiences, and that appreciation for the movie led to a long, healthy box office run. Because it was good, and people liked it. And though Wonder Woman plays a role in Justice League, her involvement alone wasn’t enough to convince people this enterprise is worth funding. So they didn’t — simple as that.
Now will they in the future? That’s a damn good question — Justice League’s entire M.O. seems to be convincing people to like the DC Universe again, adding in better character work and splashes of fun to the previously dour experience. But, at this point, it feels like Warner is building a castle on top of a crumbling foundation. Though the film is still very much flawed, it does represent a mostly positive turning point for the DC Universe, and its characters. But, at this point, the damage has already been done, and a ton of money has been lost. It might be too little too late to save this particular branch of the DC Universe.
…But thankfully DC always has more Suicide Squad spin-offs, right? Maybe Deadshot buys a cell phone. Has Captain Boomerang ever owned a bear? The possibilities are truly endless!
Also published on Medium.
James Gunn Fired From Guardians of the Galaxy Vol. 3 Over Offensive Tweets…And Fuck If I Know How To Feel About It
Is it the right thing? Is it the wrong thing? Does it even matter? Who the fuck knows.
Ever since Weinstein (or longer, really, with the Film Twitter outing of people like Devin Faraci and Harry Knowles feeling like the true kick-off in my mind,) I’ve become accustomed to seeing people I admire be suddenly and without much warning outed as bad people, and dropped like a hot potato from Hollywood at large. For a while there, it almost became something of a daily ritual: wake up, take a shit, find out someone I love is shit, put out a shitty response on a shitty certain network (you know the one), and continue with my day. It might hurt for a while, but ultimately I’ve viewed this entire #MeToo thing as a necessary pain for both the industry and our culture: bad people being outed and shamed for doing bad things, from Louis C.K. to Roseanne, was a necessary step in the betterment of our society. Even if things debatably went “too far,” (which I would argue was rarer than the alternative), I was pretty resolute in my opinion that everything going on was “right.”
I still feel this way, in regards to #MeToo. But today’s piece of Hollywood shaming is not about #MeToo, at least not directly. This isn’t an example of a person mentally or physically abusing someone, and getting away with it for years. Nor is it an example of a person saying something offensive or reprehensible, and facing swift punishment for it. No, James Gunn getting fired from Guardians of the Galaxy Vol. 3 comes in the form of tweets….really bad tweets…from over a decade ago.
The background, just in case you need it: James Gunn has been the writer/director of the Guardians of the Galaxy franchise thus far, a task he has handled with aplomb. They are critical hits, audience hits, and box office hits. And perhaps more than any other current MCU series (give or take a Thor: Ragnarok), Gunn’s unique voice is clear throughout both films, in the musical choices (all his) to the jokes and gags (mostly his.) He puts one hell of a unique stamp on the MCU, and even if the Guardians movies aren’t my absolute favorite of the franchise overall (hint: you can see where they both rank here), they are dependably great in large part because of him. So regardless of the reasons for his firing, this would be a damn shame, and a massive blow to the future of the MCU post Avengers 4.
But the circumstances of his firing turn things into, frankly, a clusterfuck of political and ethical and moral quandaries that I’m far figuring out my exact position on. I will make one thing completely clear though: the tweets in question that lead to Gunn’s firing are UNACCEPTABLE. They are in incredibly poor taste, stink of someone trying way too hard to be “edgy” (one of my least favorite character traits in a person, really), and are not even the slightest bit funny. Even just putting the morality of the tweets aside, everything about the ethos behind the tweets represents someone I would never want to encounter, nor want to support. Not just because the subject matter is bad, but because the sentiment behind it (SHOCKING and IN YOUR FACE and NOT AFRAID TO GO THERE humor) is so unbearable.
All that being said…this is a lot more complicated than simply being about bad tweets. The timetable for one is important, as pretty much all the tweets are from nearly a decade ago, and Gunn hasn’t exhibited the same penchant for that type of “humor” in the years since joining Disney and Marvel. Gunn also seems to be expressing remorse about the jokes, lauching a Twitter thread owning the horrid nature of the jokes, while still trying to explain how he has moved forward as a person and changed in the years since making them:
2. It’s not to say I’m better, but I am very, very different than I was a few years ago; today I try to root my work in love and connection and less in anger. My days saying something just because it’s shocking and trying to get a reaction are over.
— James Gunn (@JamesGunn) July 20, 2018
4. For the record, when I made these shocking jokes, I wasn’t living them out. I know this is a weird statement to make, and seems obvious, but, still, here I am, saying it.
— James Gunn (@JamesGunn) July 20, 2018
5. Anyway, that’s the completely honest truth: I used to make a lot of offensive jokes. I don’t anymore. I don’t blame my past self for this, but I like myself more and feel like a more full human being and creator today. Love you to you all.
— James Gunn (@JamesGunn) July 20, 2018
He was equally as remorseful in a written statement he released following Disney’s official decision to cut ties with him:
My words of nearly a decade ago were, at the time, totally failed and unfortunate efforts to be provocative. I have regretted them for many years since — not just because they were stupid, not at all funny, wildly insensitive, and certainly not provocative like I had hoped, but also because they don’t reflect the person I am today or have been for some time.”
“Regardless of how much time has passed, I understand and accept the business decisions taken today. Even these many years later, I take full responsibility for the way I conducted myself then. All I can do now, beyond offering my sincere and heartfelt regret, is to be the best human being I can be: accepting, understanding, committed to equality, and far more thoughtful about my public statements and my obligations to our public discourse. To everyone inside my industry and beyond, I again offer my deepest apologies. Love to all.”
So yeah: the tweets were bad then, are bad now, and everybody involved is aware of this. But is Gunn’s stupid jokes from a decade ago enough to take everything away from him? Furthermore, the tweets were a matter of pubic record for years: did Disney really not search Gunn’s history to see examples of his past public behavior? Did Gunn really not consider, in his years of reflection, that these tweets were terrible and should be purged before they got him in trouble? Apparently not, although I’m sure both parties will consider that a high priority moving forward. We’ve seen people get in trouble for bad tweets, even ones that were many years old (I remember Trevor Noah’s sexist “controversy,” do you?), but this is the first time I can remember that a studio actually had to respond to it in such a strong manner. Like with Roseanne before him, Disney has shown they are willing to cut ties with people they deem to be even a little bit controversial…for better or worse, really.
Of course, I can’t ignore the political angle of this, which adds just another shit nugget to the entirety of the proceedings. The main reason these tweets came to light in the first place was due to a concentrated effort of right-wing trolls (led by human diarrhea bag Mike Cernovich) to basically knock Gunn down a peg, and show that the outspoken director was guilty of his own bad behavior in the past. I want to make it clear: nothing that Cernovich or his ilk do, in my mind, is “right.” But the unfortunate, ugly truth of the matter is that this outcry had the desired effect — Gunn lost his job, and has been Publically Shamed on the Internet™. This counts as a gross win for them, but should we just pretend this is better than it is, because it benefits a bunch of people who are awful?
While there’s certainly a part of me that wants to rally against the forces that conspired to take down Gunn, it’s a lot harder to do that when actually looking at some of the tweets that he made. Would it not be hypocritical of me to cheer on the collapse of Roseanne Barr, while at the same time trying to defend Gunn and his actions? One of my least favorite things in the whole goddamn world is hypocrisy, and there’s plenty of that all-over today. Case in point: the alt-right cheering on the public shaming of an “enemy” over the “jokes” he made, when the same fuckers probably would be bemoaning about policial correctness and “social justice warriors” if it was someone they viewed to be on their side. Equally as hypocritical is some of the response I’ve seen from more left-leaning people: now they are the ones using the tactics of “it was a long time ago!” and “they were just jokes!” and a myriad of other ways of rationalizing Gunn’s behavior. That shit hasn’t excused past people celebrities who were Publically Shamed on the Internet™, and I don’t think it’s right to give Gunn the benefit of the doubt just because we like him.
On the same token…they were tweets. From a decade ago. And I’m not comfortably completely crucifying the man over them. But if it was someone I disliked…would I be? Would we all be? This matter is complicated as hell, and I’m not sure who is right or wrong here, or even if there is a true right or wrong. This kind of situation requires more nuance than I, or probably anyone sounding off on Twitter and the rest of the internet, can probably muster. All I know is that Guardians of the Galaxy Vol. 3 is going to suffer big time for this, and that Marvel is going to have to work hard on restoring the damage to the brand. I return to the business and fanboy matters because, honestly, that’s all I can rationalize without feeling like I am wrong in some way. Because when it comes to the mortality and ethics of what happened here today, I’ll reiterate:
Fuck if I know.
Also published on Medium.
10 Other Members of The Americans Cast Who Should Be Put In A Star War (And The Roles That They Could Play)
Keri Russell should just be the start of alum from FX’s hit spy drama joining the Star Wars universe.
The talk of the fanboy town this weekend was Keri Russell, a frequent J.J. Abrams cohort, joining the cast of Star Wars: Episode IX (or whatever it might end up being titled.) The think pieces came fast and furious from nearly the moment the casting was first announced, which shouldn’t be too much of a surprise: when any new detail drops about one of these Star Wars films, people will inevitably spend way too much time theorizing about what is to come, for better or (mostly) worse. But when it comes to my initial reaction to the casting, I only had two thoughts: 1) oh my god what is J.J. Abrams going to do to Keri Russell’s hair this time and 2) it’s so damn great to see The Americans cast get work.
Coming off of five years of being perhaps the best dramatic ensemble on television, I truly would be happy to see all of the cast members of The Americans land roles in huge films following the conclusion of the show. And not just huge films, mind you — I’m talking Star Wars huge films. Truly The Americans cast is versatile enough to land any role they could want in the galaxy far, far away, and with Russell’s casting, all I could think about (aside from how amazing she’s going to end up being in the movie, of course) was what her fellow cast members could also bring to the extended franchise.
And I’m a silly person who happens to have a blog so, sorry, you have to be present for my ramblings on such niche, unasked subjects! So here are 10 other members of The Americans cast who deserve a shot at a Star Wars gig and, for the hell of it, the character archetypes they would be great for in the universe. Thank me later, Kathleen Kennedy!
Matthew Rhys (Philip Jennings):
I’ll let my first post-Keri Russell casting tweet speak for itself here:
Since we've gotten this far, can we go the whole nine yards and have Matthew Rhys cast as a roguish "Han Solo" type in one of these? Welsh accent included, of course.
— Matthew Legarreta (@mattlegarreta) July 6, 2018
Holly Taylor (Paige Jennings):
Rey’s previously unmentioned bestie/roommate back home on Jakku. They stay up all night chowing down on dehydrated bread and talking about desert problems, as you do.
Noah Emmerich (Stan Beeman):
Maybe it’s recency bias, but I can’t help but imagine Emmerich playing a tough bounty hunter character. That being said, it will be pretty tragic when he realizes his co-pilot and best friend was his target the whole time. What a dramatic scene they will end up having in the Star Wars equivalent of a parking garage, though.
Brandon J. Dirden (Dennis Aderholt):
Brandon J. Dirden holds himself up with such calm and levelheaded prestige as an actor…making him a perfect choice to play a hapless senator trying to do the right thing, but missing the fact that OOPS an electric wizard is in control now. Bummer!
Costa Ronin (Oleg Burov):
I can definitely see Costa Ronin playing the cool, confident gangster type. He’ll also have a robot arm, for some reason. And he should keep his Season 6 beard, because DAMN does he rock the hell out of it.
Alison Wright (Martha):
Padme in a set of prequel remakes. Because if anyone could sell the anguish of being betrayed by someone they deeply loved for years, only for them to end up being a completely different person than who they thought they were, it would be her. Poor Martha…
Margo Martindale (Claudia):
It’s Character Actress Margot Martindale! Let her be whatever she wants! A Jedi master, a Sith Lord, a crime boss, a droid, a wookie, a gungan — she can do it all, dang it!
Frank Langella (Gabriel):
Let him be the kindest Jedi master ever. OR the most evil Sith Lord to ever exist. Frank Langella is somehow capable of channeling both.
Mail Robot (Mail Robot):
The new official droid mascot of Star Wars, duh! NEXT.
Keidrich Sellati (Henry Jennings):
…He can also be present.
Also published on Medium.
Avengers: Infinity War Crushed My Dreams in the Dumbest Way, and I’m Okay with it
We might never see Secret Wars properly adapted to the big screen, and I am at peace with that now.
Spoilers ahead, so be forewarned. Although at this point it’s impossible for this article to spoil what could possibly be the biggest blockbuster of all time, on a website nobody reads, but consider yourself warned. And a loser, let’s be real here.
So first and foremost: I very much liked this movie, and so did most of you, from what the box office tells us. I very much look forward to seeing it again to crystallize my real thoughts on it, because time ends up being the best critic of them all. It’s too soon for the test of time to enlighten us on where this thing ranks amongst the pantheon, but most of what has been said and written about is true; it’s a landmark, a milestone, impressively crafted and a miracle to watch. The ending has emotional stakes (though not real ones), and it really leaves an imprint. And yet…
The link above is a terrific examination about what I’m talking about, but I’m only really here to somewhat facetiously let you into my head beat by beat as the characters we love turned to ash and floated away. Mouth agape, I thought “they can’t be seriously doing this”. And most of you did the exact same thing! But I was referring to something else entirely, and as the screen cut to black, and Thanos’ big dumb expression still lingering fresh in our minds, my fellow audience members and space travelers all collectively gasped. Everyone did it for reasons that seem normal, “oh no our favorite heroes are dead and we have to wait a whole year to find out what happens!”. Except me, because I have a one track mind and was somewhere else entirely (and I’m not going to get suckered into believing anything that happened in that film actually has any consequence whatsoever, in terms of plot or story or the ability for Disney to make money and sign actors to long-term contracts).
No, I gasped because I actually thought Kevin Feige had the balls to go where I didn’t think they would ever go, and I yelled out in the crowded theater, in the pitch black surrounded by strangers, at the screen with credits rolling slowly:
IF THIS END STINGER DOESN’T TEASE SECRET WARS THEN THERE IS NO POINT IN HAVING A SEQUEL, BECAUSE IT WILL RENDER OUR MOURNING OBSOLETE AND MEANINGLESS.
I didn’t actually yell that, I said it quietly to the brunette in the college sweater next to me who I was trying to hit on before the movie started. There was a seven foot tall teenager in a business suit sitting in front of me, blocking the lower left quarter of the screen, and he turned around at the same time as his mother, who loved him very much and was proud of her son in that suit I tell ya, and they asked “what is Secret Wars? Is that the title of the next Avengers movie after this?” And I replied:
IF THEY DON’T SHOW BATTLEWORLD AFTER THESE CREDITS THEN ALL OF THESE CHARACTERS DEATHS ARE FOR NOTHING BUT THE SHEER AND BLATANT ATTEMPT TO SEEM EDGY AND BOLD AND DARING, BUT IN REALITY WE WILL ALL GET OVER IT IN TWO WEEKS WHEN THEY ANNOUNCE THE NEXT SLATE OF FILMS IN PHASE FOUR.
I didn’t actually say that either, but in the final moments of Infinity War I kept expecting the disintegrating bodies to reveal the truth: they weren’t dead, just going somewhere else, potentially the mirror dimension, or another parallel universe, or a representation of hell inside the Soul Stone. And then I realized that the only other gigantic crossover storyline not used so far in these movies is Secret Wars, which would have been the most amazing and ideal way to segue into next year’s Avengers 4: Secret Wars. Imagine, the most famous comic book story for Marvel (also seen on the 90’s Spider-Man cartoon) redone on the big screen: the possibilities endless, the potential for blowing minds unfathomable for fans.
But alas, no, they did not go there, and instead left the cliffhanger to just sit with us. In the dark, no answers, like a gut punch from the screen to our seats. I’m not going to explain why Secret Wars is worth doing, or what it’s about — the cover below says everything you need to know, really. Just look it up online after this, or read the original run, or the newer ones. It’s unreal they didn’t go for this, they had the chance and they blew it!
I like the ending in a vacuum, on paper, but we don’t live in a vacuum anymore. We live on the internet, where every production has leaked set photos and breakdowns, every project in development has casting choices ruined and surprises sold off to the highest bidder. The next five years are set in stone, the signatures already in ink, and it only lasted five minutes before I realized the head fake ending would have been better off being done without the obvious sign that A) the original team of old heroes and actors who should have died and said they’re about done all lived B) all the new characters and actors that are the backbone of Marvel’s future all died C) they already shot the untitled sequel so it’s not like they did that whole movie / marketing without Spider-Man and Black Panther and D) I’m going to end this run-on sentence being mad they didn’t finish the FOX merger fast enough to do Secret Wars.
Secret Wars, the only way to naturally introduce a space alien getting stuck to Peter Parker’s suit so the symbiote travels back to earth to battle Tom Hardy as Eddie Brock. Secret Wars, the only way to seamlessly transition the X-Men and Fantastic Four into the MCU, by forcing them to battle on Battleworld for the enjoyment of the masses. But no, they didn’t show those characters on a new planet. They didn’t bring in Ant-Man and the Wasp and the original Wasp (Michelle Pheiffer) through the subatomic quantum realm. They didn’t hint at the Beyonder, or She-Hulk, or Spider-Woman, or Titania, or Absorbing Man, or Kang the Conqueror, or Molecule Man, or Silver Surfer, or Volcana, or the Wrecking Crew, or Galactus! They didn’t bring back older villains sans Red Skull (good job on that one, actually) to fight and die again against different heroes (how hard is it to just show Ultron fighting without him talking?).
Oh well. I’m not actually that upset, and the odds of that were low enough I’m not shocked. I just really thought they were going in that direction, and now they are not, and that makes me sad. A man can dream, though. Infinity War was pretty good all things considered, even if the stakes they focused on are really just not doable anymore, in this culture of capitalism and engineering fandom into capitalist milk udders. Just milking us nerds dry, with no regard for anything but the almighty dollar. What can you do about it, honestly? At least my favorite characters aren’t being handled by Warner Bros.
Tune in next time when I write an article about how Thanos was just stealing all of his ideas and motivations off of Bill Maher, thanks for reading true believers. Excelsior!
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