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The 5 Best Moments of Stranger Things 2

From dances to demogorgons, here’s the best moments of Stranger Things 2.

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When Stranger Things first premiered back in July of 2016 (oh my god it was only a year ago what time vortex am I currently occupying I swear to god what the hell), it did it with relative silence. Though the series had a cool trailer or two, there really wasn’t a lot of buzz for Stranger Things, nor did it boost a bunch of known talent behind the camera. Sure, it was nice to see Winona Ryder working again, and David Harbour was a great character actor just itching for a prime leading man role, but everybody else? From the creators to the main kids, they were all pretty big unknowns. But, of course, that has all changed in the months since.

A massive fandom has now formed around Stranger Things, with the show and its characters now serving as some of Netflix’s most beloved. It’s rare for ANYTHING even remotely new to gain such a strong following in a small amount of time but, if you ask me, Stranger Things really deserves it. Though not without its problems, the first season was an incredibly engrossing, always entertaining little genre pastiche. It could have easily just been an 80’s nostalgia circle jerk, but with some whip smart writing and an especially strong ensemble, Stranger Thing went from zero to cultural phenomenon.

Which made the anticipation for Stranger Things 2 far different than its predecessor. While the first season had the opportunity to really surprise us with the story it was telling, Stranger Things 2 does not. We know what this show is now, and generally, what it is setting out to do. But does that make the sequel any less exciting? For many, many properties, the answer is a clear yes. But, for the most part, Stranger Things 2 managed to avoid a lot of the pitfalls of sequelitis, delivering a second season that lives up to the quality of the first in many regards. It was far from perfect (as I’ll get to with a latter article), but it was still jam packed with great moments and excellent story developments. So with my 8 episode binge all wrapped up (twice, in fact!) let’s dive right in, shall we? Here are the five best moments of Stranger Things 2.

THIS IS YOUR WARNING: FULL SPOILERS FOR STRANGER THINGS 2 FOLLOW. DO NOT READ IF YOU HAVE YET TO WATCH THE ENTIRE SEASON YET. BUT, IF YOU ARE ONE OF THE COOL KIDS THAT HAS…PROCEED!

Second, less important disclaimer: this list is arranged in chronological order, so I really have no “preference” on these moments. That being said…four is clearly the best, right?


1. Family Spat (Chapter 4: “Will the Wise”)

There’s certainly something to be said about the fact that the first “best” moment of Stranger Things 2 doesn’t arrive until about half way in. Don’t get me wrong: the first trio of episodes are good, and do the much needed legwork for setting up the season’s main storylines, but the series is certainly bottom heavy when it comes to its storytelling. Which makes a certain level of sense: the Duffer Brothers have not been shy about their approach to creating the show, always wanting to create an experience that resembled a long form movie more than anything else. And how many movies really have their best moments at the top of the first act? That’s where you establish the action, with the second and third act serving as the payoff.

But putting aside the fundamentals of cinematic storytelling, the first truly fantastic moment of Stranger Things 2 is the heated, volatile argument between Hopper and Eleven at the start of “Will the Wise.” Pairing these two together was one of the best decisions the writers made following the first season, and this scene is where it gets its first real payoff. Both David Harbour and Bobby Millie Brown are just so damn good (both together and apart), and are able to infuse their characters with so much passion through every single line. When they fight in “Will the Wise,” they REALLY fight, and you can’t help but feel bad for both of them.

Props especially have to be given out to Millie Brown, who performs Eleven with the perfect balance of emotionally scarred prisoner and petulant, pissed off pre-teen. The joy of arguments like this is that it’s hard to root for either party: you like both characters, and can understand entirely where both are coming from. That’s a sign of the strong writing at the center of the scene and, paired with the excellent writing, creates a father/daughter argument that actually FEELS real, and relatable. The fact that it also contains the “daughter” hurling out telekinetic attacks and exploding the things around her in rage just makes the moment all that more special.


2. Terry Ives’ Tale (Chapter 5: “Dig Dug”)

It takes a lot of skill for a series to be able to make a minor character’s story feel as compelling as the rest of the cast. But Stranger Things 2 was able to do that surprisingly well in “Dig Dug,” as Eleven delved deeper into her past and, for the first time, met her mother.

The audience of course had already done so back in season one and, from first impressions, it was clear that something tragic and terrible happened to Terry Ives. But seeing first hand the experience of having her baby ripped away from her, the subsequent attempt to get it back, and the horrifying procedure that followed it, hit far harder than it had any right to. But strong editing and an emotional score helped propel this sequence into something really powerful, and one of the most memorable moments of Season 2.

…And yeah, maybe the discovery made in said flashback sequence led to one of the worst things about the season but, hey, this article is about the positives, right? I’m sure we’ll all have time to bitch about Chicago Punk Eleven later. For now, lets move on to something far cooler…


3. The Demo-Dog Bus Attack (Chapter 6: “The Spy”)

Stranger Things 2 doesn’t have a ton of big action movie moments…at least not until “The Spy,” that is. Once Dustin’s new best friend/demogorgon pet friend grows into a full size menace, an actual monster threat is awakened and, like the demogorgon threat from last season, our resourceful kids spring into action to take the creature down. But the motley crew tasked with the hunt (Dustin, Lucas, new kid Max, and most delightfully Steve Harrington) are in for quite a shock when the single, medium sized “demo-dog” brings some friends along for the ride.

What follows is one of the best sequences in Stranger Things so far, a bus attack sequence that takes clear inspiration from some of the best sci-fi monster movies out there. Think of the velociraptor scenes in Jurassic Park, or even the ceiling sequence from Aliens. Or, hell, a similar bus scene in J.J. Abrams underappreciated Super 8, one which also put a bunch of 80’s inspired pre-teens in a chilling amount of danger.

But even with the influences pretty clear, this scene still manages to work fantastically on its own, with a wonderful atmosphere and actually surprising setup (the other demo dogs popping up from the fog actually got a jump from me.) It’s always hard for a TV series to make the main characters feel like they are actually in danger, what with the whole ongoing nature of the series and all, but the terror of this moment is felt from pretty much everyone involved. And even if it doesn’t show as much crazy visuals as some other big set-pieces later in the season, the Demo Dog bus attack still managed to feel more cinematic than any other moment in Stranger Things 2.

Having an accomplished blockbuster director in Andrew Stanton behind the camera for this episode certainly helped, I imagine. Sure, John Carter wasn’t good per say, but it was certainly cinematic! And with Stanton’s talents actually applied to a something worthwhile, he managed to deliver one hell of a moment here. Let’s hope its enough to get the man out of the live action dog house in the future. Not sure I really want “Finding Crush” or “Wall-E 2: Planting Crops n’ Shit.” Andrew Stanton is a good director, Hollywood! Let him do it!

Anyways, with that Stanton aside out of the way, let’s move onto the thing about this season that only really matters, and one of the driving factors that led Stranger Things 2 second half to be so damn satisfying.


4. Adventures in Babysitting with Steve Harrington (Chapter 9: “The Gate”)

If you asked me at the end of Stranger Things season one who my favorite character of the next season would be, I would never have uttered the name “Steve Harrington.” Don’t get me wrong–I liked the character a lot in the first season, and found his whole “crappy boyfriend in teen 80’s movie, thrown into a monster movie he wasn’t prepared for” to be quite entertaining. But at the end of the day, the character still seemed like he was just an obstacle standing between the Jonathan/Nancy pairing. A well performed, fun obstacle, but an obstacle nonetheless.

But with the show’s decision to break up Nancy and Steve so early into this season, the latter character was able to thrive in a mode I never expected him to be in: reluctant companion and protector of the main group of kids. It was a plot development made entirely on the basis of convenience (the ONLY reason Dustin even teamed up with the guy is that literally every other character was off doing their own subplots), but man did it end up being one of the best developments Stranger Things 2 could have possibly made.

Just seeing cocky Steve Harrington deal with a bunch of pre-teens is funny on the face of it, but THESE pre-teens in particular? Absolutely glorious. But as much as I’d like to just say “every moment with Steve” and call it a day here, I think I have to go with a more specific moment. And on that end, I’ll say the best “Steve as babysitter” scene is in the season finale, where Steve awakens from his post-fight stupor, in an unfamiliar car, surrounded by these brats who have made his past 24 hours a living hell. His subsequent freakout and vain attempts to convince these cocksure kids to stop trying to get involved in this Stephen King bullshit is absolutely glorious, and Joe Keery does an amazing job playing off the kids in this sequence. The fact that it’s only followed by him giving in and leading the charge into the tunnels (nail bat in toe) is only icing on the cake.

How the character can be reluctant comic relief, sympathetic role model, AND the epitome of a cool badass teen, is truly something. Steve Harrington is hands down the MVP of Stranger Things 2, and every moment he spends being baffled at how he got involved in this entire mess, but rolling along with it anyways, is television gold.


5. The Snow Ball (Chapter 9: “The Gate”)

Stranger Things, from the very beginning, was always a show serving a bunch of masters. At times, it was a fun throwback to 80’s Spielberg adventure stories. At other points, it was a John Carpenter tinged teen slasher film. Meanwhile, there was a whole Stephen King supernatural nightmare scape happening in the background. Hell, the show even had enough room to throw a little bit of X-Men action into the mix with the Eleven storyline! With so much at play, it’s a miracle the show never felt overwhelming, or the elements never felt at odds with each other. And the reason why is quite clear to me: like pretty much every other great TV show out there, at the end of the day, it was all about the characters.

In the midst of big supernatural threats and crazy horror action, it might be easy to forget that. But it says something that my favorite sequence of Stranger Things 2 isn’t the big action moments or the crazy sci-fi conspiracies — its seeing our main characters going to a dance. It was seeing them interact, and be awkward, and fail to ask their classmates on dances, and to just BE KIDS. At its very best, Stranger Things is Freaks and Geeks with monsters, which can make for a magnificent combination. And just like Freaks and Geeks, it uses its period trappings to not only invoke nostalgia in the viewer (even if you DIDN’T grow up in the time period), but also to perfectly create the mood of a scene–I mean, can you ever go wrong featuring Cyndi Lauper’s “Time After Time?” The answer is a clear no.

The Snow Ball segment of “The Gate” felt real in a way that most shows fail at, and the fact that Stranger Things can be both this sci-fi/horror hybrid AND an effective tribute to growing up speaks to the stellar work The Duffer Brothers, the other writers, and the great actors do in making us love these characters. Which is the key, really. Even when the story falters (and, on occasion in Stranger Things 2, it does), your sympathy for the characters never does. You want to see Mike and Dustin and Will and Lucas and Eleven and Joyce and Hopper and Max and Nancy and Jonathan and (especially) Steve be happy, and after a season of chaos and danger, scenes like the Snow Ball are the perfect pallet cleanser to end things on. Never forget, future TV writers: you can get very, very far on strong characters. And they rarely come stronger than they do in Stranger Things.


That does it for the main list but, real quick, let me squeak out a few honorable mentions:

Will Absorbs The Monster (Chapter 3: “The Pollywog”)– What a horrifying image, huh?

Dustin vs. the Demo-Dog (Chapter 5: “Dig Dug”)– Dustin is the best.

Steve and Dustin Talk Girls (Chapter 6: “The Spy”) — Addendum: Dustin AND STEVE are the best.

Bob Dies, Which Suuuuucks (Chapter 7: “The Mind Flayer”) — R.I.P. Bob. He made for a great new character, even if his red shirt status was pretty clear from the beginning. Still though…BETTER THAN BARB, RIGHT? #JusticeForBob

Eleven’s New Do — I’ll talk more about Eleven’s storyline in a latter article but…well, she got a sweet new look out of it, at least. I dug her Sigourney Weaver haircut too, though.

The Exorcism of Will Byers — This is just to say that, if it wasn’t for Steve, Noah Schnapp’s Will would take the cake as Stranger Thing 2’s best character. What a great performance from him this year. After seeing so little of the character in the first season, it’s good to know that Schnapp was a great little actor too.


That’s all for my best moments of Stranger Things 2 list, but check back soon for my take on the worst aspects of the season. That article will probably be less fun, but I need to write SOMETHING to put Billy in his place.

Seriously. Fuck. That. Guy.


Also published on Medium.

Matthew Legarreta is the Editor and Owner of Freshly Popped Culture. A big ol' ball of movie, TV, and video game loving flesh, Matthew has been writing about pop culture for nearly a decade. Matthew also loves writing about himself in the third person, because it makes him feel important (or something.)

Games

You Won’t Believe This, But That Live-Action Halo TV Series Is Facing Development Troubles!

The series has lost director Rupert Wyatt, and reports of budget concerns put the adaption’s future in jeopardy. But what else is new?

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I’ve been following film and TV news for the better part of a decade and a half, and writing about it for nearly as long. And, in that time, you start to become numb to the cycle of development — creatives are always leaving, executives are always balking, and yada yada yada. Let’s just say there’s a reason why most of the movies in development hell stay there — once a project begins circling the drain, it’s hard to really pull it back out. So after years of this painful back and forth — this developmental ballet — I start to lose faith entirely. For pop culture that has been developing for years, my optimism for it actually get made morphs into the fun category of “I’ll believe it when I fucking see it.” Which, for the record, is why I still don’t believe Kingdom Hearts III is coming out next month. I don’t care that it has a release date, I don’t care that it has gone gold — until the damn thing is in my hands, it’s just vaporware. And you know what else is just vaporware? That goddamn Halo TV series.

Or should I say live-action Halo movie. Really, it’s all the same tale — Hollywood has been trying to monetize the Halo brand since shortly after the first game was released, and became one of the defining video game titles of this millennium. Creating a movie just seemed like the next logical step, and Hollywood recruited Alex Garland to do just that. And Peter Jackson to do just that. And Neil Blomkamp to do just that.  And D.B. Weiss to do just that. And so on and so on. Eventually, that entire project stalled and Microsoft, with the live-action rights back in their hands, decided to shift the game’s adaptation to the world of television, and partnered with a pretty big name to do it: producer Steven Spielberg.

That was five years ago. Just to show how much the world of TV has changed since then, Microsoft initially planned to release the series independently, through the Xbox TV brand. That brand no longer exists which, to these outside eyes, would seem to indicate the TV series was no longer happening. But, nope! After years of silence, Microsoft returned and announced that the TV series was still happening (sure), and that it would be released on Showtime (sure.) A little more time passed. I assumed the concept of a Showtime produced Halo TV series was just some weird fever dream I had. And then, boom! the Halo TV series was off towards the races, with Showtime hiring on showrunner Kyle Killen, a bunch of writers, a big name director — everything! The plan was set for filming to commence at the tail end of 2018, for a late 2019 launch.

And I never believed that shit for a goddamn second. This is a Halo live-action project we are talking about. It’s doomed to fail. And if news from today is any indication, the process has begun in earnest.

As reported by Variety, the “big-name” director hired to helm many episodes of the project, Rupert Wyatt (Rise of the Planet of the Apes), has departed the series. On the surface, it seems like an innocent enough departure: standard scheduling issues. Wyatt even released this statement corroborating the reported reason:

“It’s with great disappointment that changes to the production schedule of Halo prevent me from continuing in my role as a director on the series. My time on Halo has been a creatively rich and rewarding experience with a phenomenal team of people. I now join the legion of fans out there, excited to see the finished series and wishing everyone involved the very best.”

So yeah: “changes to the production schedule” is the culprit. But the question must be asked: why did the production schedule change in the first place?

Well, thankfully, /Film looked into just that, and found that production on the series is not going as smooth as it might have sounded like it was a few months ago. The budget “has spiraled out of control” according to the website’s sources, and the people in charge are none to happy about what the series is becoming. Well the first few scripts were in line with what Showtime was looking for, latter scripts saw “the entire series balloon in size and cost, leading to some cold feet.” Well it’s possible the series might work through these issues (Game of Thrones, which Showtime is clearly hoping to ape here, ended up doing so), history is not on this franchise’s side as it paves its way to the live-action realm.

And, in my mind, that makes absolute sense. Putting aside the curse an old Hollywood witch doctor performed upon this franchise some time ago, I always thought that TV was a weird fit for the Halo brand. The games are massive, large scale explorations of intergalactic war. They are big war movies, essentially. Unlike Game of Thrones (which peppered its big fantasy moments with plenty of scenes involving political intrigue, dramatic exchanges, and other TV budget friendly concepts), there’s not a whole lot more to Halo than the big action sequences and massive, universe spanning lore. Which is fine and dandy for a big blockbuster movie to tackle. But a TV series? I literally did not see how this could happen. And if these troubles just continue to get worse and worse, that may indeed be the case. Will yet another live action Halo project fall apart right before it reaches the starting line?

…Probably, yeah.


Also published on Medium.

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Geek Binge

The 100 Best Episodes of SpongeBob Squarepants

In tribute to recently deceased Spongebob creator Stephen Hillenburg, let’s take another look at the 100 finest moments of his all-time classic series.

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NOTE: This post was previously written for the website Geek Binge back in the summer of 2014. With the unfortunate news of creator Stephen Hillenburg’s passing earlier today, we thought it would be appropriate to repost it its 25,000 word entirety here. The man leaves behind a legacy of some of the best pieces of animated comedy to ever exist. He will be missed. 


Ladies and gentlemen, welcome to the official list of the best episodes of SpongeBob Squarepants! In this article, we’ll dive into the rich history of the show and give you a definitive list of the greatest episodes. Ten episodes will drop here every single day for the next two weeks, culminating in the final spots near the 15th anniversary of the show’s premiere. So read around, comment, bask in the nostalgia, and enjoy all the funny images, memes, videos, and memories from the last fifteen years in one of the greatest TV shows of all time.  We here at Geek Binge love SpongeBob, and we hope you do too.

You may notice the interchangeable nature of the word “episode” in this list. Really, an episode of SpongeBob is two segments put together with commercials, and so technically this is a list of the 100 greatest segments. But some episodes are only one long segment, and sometimes there are three in one, since this show doesn’t like being pinned down to one structure. So just know that you are not crazy, and that I am purposefully being weird about the jargon. Ignore it and you’ll be fine, trust me.


100. “Help Wanted” (May 1st, 1999)

What better place to start on this list than the first episode of SpongeBob? The pilot for the show is the only episode in history to have three segments instead of the usual two, and “Help Wanted” is the second best of the bunch (another is further down the list). It helped establish SpongeBob’s enthusiasm for The Krusty Krab, Squidward’s apathy towards The Krusty Krab, and the tone for the series, all within a brisk eight minutes. It’s an ambitious premiere for a kid’s show, and has a diverse range of humor and animation styles. It’s hard to think what the world would be like without the yellow sponge, and it’s a good thing this initial pitch episode not only did well enough to land it into a full series, but is good enough to still enjoy fifteen years later.

You may remember this particular segment from:


99. “The Great Patty Caper” (November 11th, 2010)

From the oldest entry on the list, we now get to the newest one. The TV special known as “Mystery with a Twistery” is actually a thinly veiled adaptation of Agatha Christie’s Murder on the Orient Express but I use the word adaptation very very loosely. For a full length episode (22 minutes instead of the typical 11) it has a lot of references and call-backs, and has a lot of time to successfully pull off an entire mystery story. It features a terrific new character and straight man in Orin J. Ruffy (The Butler) who counteracts the goofiness of Spongebob and Patrick, only to be later exposed as the real bandit. It’s one of the better special episodes, and is surprisingly funny and clever for being such a recent episode. If you watch modern SpongeBob you know it isn’t up to snuff, but I’m glad there is still the capacity for this show to knock one out of the ballpark every once in a while.

You may remember this particular segment from:


98. “Opposite Day” (September 11th, 1999)

A nefarious plan by Squidward to make sure Spongebob doesn’t get in the way of selling his house, “Opposite Day” challenges the preconceived notions of who Spongebob and Patrick are by forcing them to be someone they aren’t. The characters do the opposite of what they normally do, and at the end straight up pretend to be Squidward. It’s sort of dark if you think about it; a lot of insults are thrown around without sarcasm and the only reason they aren’t taken seriously is because they’re taken as compliments thanks to the holiday. It can be pretty mean in parts, but doesn’t come off as being written that way, just that the characters have the potential to be so. Squidward impersonations aren’t uncommon, but having a climax consist of two Mr. Tentacles is genius.

You may remember this particular segment from:


97. “Jellyfish Jam” (August 28th, 1999)

A relatively straightforward episode (Jellyfish enter Spongebob’s house, he makes them leave, the end), “Jellyfish Jam” focuses not on its plot, but on its sight gags, its catchy music, and commitment to being as silly as it possibly can. There’s a lot of animation on display here: various insert shots of dolphins playing in the ocean, live action underwater footage of sea critters, flashy colors and multiple jellyfish dancing about in fun creative ways. Not every Spongebob story has to be witty, or make you burst into tears with laughter; sometimes you can simply be entertained with what’s going on. “Jellyfish Jam” certainly falls into that category, and suffice it to say, that techno song is still stuck in my head. Not the first time this show has done that though, there’s a lot of fantastic music that’s bound to pop up further down this list.

You may remember this particular segment from:


96. “Scardey Pants” (October 28th, 1999)

This is the first Halloween episode of the show and it premiered just in time for the 31st. The SpongeBob writers have a propensity towards the spooky, scary, and the occult, but at the end of “Scardey Pants” it goes straight Cronenberg with its creepiness. But, it makes the list for reasons non-gore related, including a classic first appearance by The Flying Dutchman, and a lot of really good jokes and an attention to detail that remains an intricate part of the show (Halloween decorations, music cues, ambient sounds, Mr. Krabs writing ‘souls’ on that bag, Squidward not knowing what a goldfish is doing in a bowl of water). There are funnier episodes that deal with fear, and better Halloween themed shows, but this is certainly a good first step.


95. “Tea at the Treedome” (May 1st, 1999)

It’s hard to imagine SpongeBob Squarepants without Sandy Cheeks, the show’s only above-water animal to venture into the depths of the ocean. A lot is established within this segment: the Treedome, Sandy’s love of karate, and the water helmets that Patrick and SpongeBob use for the rest of the series. But this doesn’t get on the list for being a stepping stone, it actually holds up on its own merits. The main running gag of the episode is “putting on airs”, which no child would ever understand, and it leads to a nicely paced and tension filled storyline where SpongeBob dries up and could potentially die. On paper that sounds rather hardcore, but it’s not so harsh when you put whimsical comedy around it. We all remember “pinky out” and “I’m a quitter”, and episode also gave us some delightful live action jokes and a bit of karate.

You may remember this particular segment from:


94. “Texas” (March 22nd, 2000)

If you can stomach all the stereotypes, “Texas” has a big heart underneath all the snark. It’s a bit on the heavy side at times, and speaks to something we can all relate to: feeling home sick in a place we just aren’t familiar to. But thankfully, a lot of endearingly stupid and goofy moments bring enough levity to balance out how sad Sandy is most of the time. I mean, that song about missing Texas, it’s so good. And, if you hate Texas, that’s certainly a plus I guess. I don’t know how much people from Texas actually use quotes from this episode, but I imagine it’s more than you think. Unless Texans don’t have TVs or electricity there yet, or can’t understand cartoons. I’m kidding, of course, relax, readers from Texas.

You may remember this particular segment from:


93. “Culture Shock” (September 18, 1999)

In typical SpongeBob style, some things do not make sense, no matter how much you break it down. Why do people go wild for someone mopping rotten tomatoes? And only when SpongeBob does it? Who cares. “Culture Shock” doesn’t have much going for it, other than the sheer lunacy of the jokes and the absurd number of non-sequiturs (‘Mouth Full of Clams Day’, Squidward’s interpretive dance, “free socks with every meal”, Gary’s incomprehensible poetry). But somehow it all clicks, and the end sequence at the talent show cements “Culture Shock” onto the list and into the classic repertoire of signature moments for the show. For a good while, there is absolutely no dialogue, which is hard enough to pull off, and you might not even realize it. That’s good writing. Plus, there’s a reference to Allen Ginsburg. How cool is that?

You may remember this particular segment from:


92. “Krusty Love” (September 6th, 2002)

Falling in love can be an incredibly complicated and often taxing thing to do. I mean, how can we impress the person we are dating when Spongebob keeps spending all of our hard earned cash? The premise of “Krusty Love” doesn’t sound all that funny on paper, but it’s all in the execution. Despite the story ending very abruptly, it’s always interesting to watch a character like Mr. Krabs have to struggle to keep two things he loves in his life simultaneously: Mrs. Puff, and money. Throw in some terrific jokes, like the ‘imported music’, seeing what Mr. Puff looks like, and ‘renovations’ in the Krusty Krab being gigantic bandages, and I think “Krusty Love” turns out to be an underrated and under appreciated episode.


91. “Skill Crane” (May 20th, 2005)

I love episodes where Squidward is obsessed with something he shouldn’t be (like Krabby Patties). And with “Skill Crane”, the central joke is how easy it is for SpongeBob to win at a crane vending game, and how Squidward can just never seem to win. A lot of well-timed audio cues (the sounds the machine makes when someone wins or losses), strong editing, and the manipulative behavior of Mr. Krabs makes watching Squidward’s misery all the funnier. What’s most impressive about this episode is how a good portion of the story takes place in one corner of the Krusty Krab, which might categorize this as a bottle episode. Not once do you notice how much of it takes place in front of that skill crane, and for that I tip my hat to this episode.

Click the next page on the handy dandy slider to read picks number 90-81!

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Movies

10 Other Members of The Americans Cast Who Should Be Put In A Star War (And The Roles That They Could Play)

Keri Russell should just be the start of alum from FX’s hit spy drama joining the Star Wars universe.

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The talk of the fanboy town this weekend was Keri Russell, a frequent J.J. Abrams cohort, joining the cast of Star Wars: Episode IX (or whatever it might end up being titled.) The think pieces came fast and furious from nearly the moment the casting was first announced, which shouldn’t be too much of a surprise: when any new detail drops about one of these Star Wars films, people will inevitably spend way too much time theorizing about what is to come, for better or (mostly) worse. But when it comes to my initial reaction to the casting, I only had two thoughts: 1) oh my god what is J.J. Abrams going to do to Keri Russell’s hair this time and 2) it’s so damn great to see The Americans cast get work.

Coming off of five years of being perhaps the best dramatic ensemble on television, I truly would be happy to see all of the cast members of The Americans land roles in huge films following the conclusion of the show. And not just huge films, mind you — I’m talking Star Wars huge films. Truly The Americans cast is versatile enough to land any role they could want in the galaxy far, far away, and with Russell’s casting, all I could think about (aside from how amazing she’s going to end up being in the movie, of course) was what her fellow cast members could also bring to the extended franchise.

And I’m a silly person who happens to have a blog so, sorry, you have to be present for my ramblings on such niche, unasked subjects! So here are 10 other members of The Americans cast who deserve a shot at a Star Wars gig and, for the hell of it, the character archetypes they would be great for in the universe. Thank me later, Kathleen Kennedy!


Matthew Rhys (Philip Jennings):

I’ll let my first post-Keri Russell casting tweet speak for itself here:


Holly Taylor (Paige Jennings):

Rey’s previously unmentioned bestie/roommate back home on Jakku. They stay up all night chowing down on dehydrated bread and talking about desert problems, as you do.


Noah Emmerich (Stan Beeman):

Maybe it’s recency bias, but I can’t help but imagine Emmerich playing a tough bounty hunter character. That being said, it will be pretty tragic when he realizes his co-pilot and best friend was his target the whole time. What a dramatic scene they will end up having in the Star Wars equivalent of a parking garage, though.


Brandon J. Dirden (Dennis Aderholt):

Brandon J. Dirden holds himself up with such calm and levelheaded prestige as an actor…making him a perfect choice to play a hapless senator trying to do the right thing, but missing the fact that OOPS an electric wizard is in control now. Bummer!


Costa Ronin (Oleg Burov):

I can definitely see Costa Ronin playing the cool, confident gangster type. He’ll also have a robot arm, for some reason. And he should keep his Season 6 beard, because DAMN does he rock the hell out of it.


Alison Wright (Martha):

Padme in a set of prequel remakes. Because if anyone could sell the anguish of being betrayed by someone they deeply loved for years, only for them to end up being a completely different person than who they thought they were, it would be her. Poor Martha…


Margo Martindale (Claudia):

It’s Character Actress Margot Martindale! Let her be whatever she wants! A Jedi master, a Sith Lord, a crime boss, a droid, a wookie, a gungan — she can do it all, dang it!


Frank Langella (Gabriel):

Let him be the kindest Jedi master ever. OR the most evil Sith Lord to ever exist. Frank Langella is somehow capable of channeling both.


Mail Robot (Mail Robot):

The new official droid mascot of Star Wars, duh! NEXT.


Keidrich Sellati (Henry Jennings):

…He can also be present.


Also published on Medium.

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